Category Archives: Volume Editors

The Complete Works of Edith Wharton Welcomes Maureen Montgomery as Editor of Volume 28, The Buccaneers.

The Complete Works of Edith Wharton Welcomes Maureen Montgomery as Editor of Volume 28, The Buccaneers.

From https://www.canterbury.ac.nz/arts/contact-us/people/maureen-montgomery.html

My first book, ‘Gilded Prostitution: Money, Migration and Marriage, 1870-1914’ (Routledge, 1989) was a study of transatlantic relations and culture focusing on American women who married into the British peerage. I followed this up with a study of American women in the bourgeois elite, concentrating on New York City and drawing upon the fiction of Edith Wharton, entitled Displaying Women: Spectacles of Leisure in Edith Wharton’s New York (Routledge, 1998). My current book project, Whiteness and Politeness: The Racialization of Civilization, 1880-1930, is another venture into the cultural history of the period and examines travel literature, etiquette manuals, and novels of manners as a way of understanding how the American bourgeois elite conceptualized national identity at a time of fraught racial tensions.

The Complete Works of Edith Wharton Welcomes Shafquat Towheed as Editor of Volume 18, The Age of Innocence

The Complete Works of Edith Wharton Welcomes Shafquat Towheed as Editor of Volume 18, The Age of Innocence.

From https://www.open.ac.uk/people/sst46

The main thrust of my research is in nineteenth and twentieth century British and American literature, with a particular interest in the history of the book. Within this broad and inclusive subject, I have three specific areas of interest: (1) the history of reading; (2) the relationship between authors and publishers; and (3) the relationship between copyright law and literature. In addition, I also work on South Asian writing in English.

I have written, edited, and co-edited 8 books, and my articles have appeared in leading scholarly journals, such as Victorian StudiesBook HistoryPublishing HistoryNineteenth-Century Contexts, Nineteenth-Century Literature, Journal of Victorian CultureEnglish Literature in Transition, 1880-1920, Primerjalna Književnost (Comparative Literature) and The Yearbook of English Studies. I regularly review for a number of peer-reviewed journals.

The Complete Works of Edith Wharton Welcomes James Gifford as Editor of Volume 1, Poems

The Complete Works of Edith Wharton Welcomes James Gifford as Editor of Volume 1, Poems.

From the Fairleigh Dickinson University web site at https://www.fdu.edu/profiles/james_gifford/ :

I joined FDU’s Vancouver Campus in 2008 and also teach online courses for students on all FDU campuses. I’ve been a Visiting Professor of English in the graduate program at Simon Fraser University and was an Assistant Professor (LT) and a Social Sciences and Humanities Research Council of Canada Postdoctoral Fellow in the Department of English at the University of Victoria before joining FDU. In Fall 2017, I was Visiting Professor at Université de Toulouse Jean Jaurès. I also pursue significant studies in Music, opera performance, and Digital Humanities. My monographs include Personal Modernisms: Anarchist Networks and the Later Avant-Gardes (Alberta, 2014) and A Modernist Fantasy: Anarchism, Modernism, and the Radical Fantastic (ELS Editions, 2018). I have also edited several collections, scholarly editions, and open education resources. These include critical editions of Lawrence Durrell’s first two novels (praised in the Times Literary Supplement); a collection of Durrell’s prose, From the Elephant’s Back; an open edition of the 1923 and 1924 textual state of Ernest Hemingway’s In Our Time; and an open edition of Oscar Wilde’s The Picture of Dorian Gray. I am the primary or sole author of more than fifty articles and book chapters in publications ranging from Modernism/modernityEnglish Studies in CanadaTextual PracticeJournal of Modern LiteratureCanadian LiteratureMosaic, and The Canadian Review of Comparative Literature. I have regularly sat on prize committees, including the MLA Book Prize for Scholarly Editions, the Modernist Studies Association Book Prize, and the Robert K. Martin book prize of the Canadian Association of American Studies. I also publish poetry and creative non-fiction.

CWEWh Welcomes Paul Ohler, Editor for Vol. 2: Short Stories I: 1891-1903

 

Credit: Kwantlen University

CWEWh welcomes Paul Ohler as the Volume Editor for Vol. 2: Short Stories I: 1891-1903. Paul Ohler earned his M.A. and Ph.D. in English from the University of British Columbia. His publications include Edith Wharton’s ‘Evolutionary Conception:’ Darwinian Allegory in Her Major Novels (Routledge, 2006), as well as articles in English Studies in CanadaEdith Wharton Review, and America’s Darwin: Darwinian Theory and U.S. Literary Culture (U of Georgia Press, 2014). He is co-associate editor with Sharon Kim of the Edith Wharton Review and serves as Vice-President of the Edith Wharton Society. He teaches 19th and 20thcentury American literature at Kwantlen Polytechnic University.  

CWEWh Welcomes Katherine Joslin, Volume Editor for The Fruit of the Tree

Joslin-Katherine--English_150_0

Courtesy of Western Michigan University

CWEWh welcomes Katherine Joslin as the Volume Editor for volume 11, The Fruit of the Tree. Katherine Joslin is a professor in the Department of English at Western Michigan University. Her books include Edith Wharton and the Making of Fashion in the Becoming Modern Series (University Press of New England, 2009);  Jane Addams, A Writer’s Life (Illinois, 2004; paperback 2009), a literary biography that places the social settlement founder and Nobel Peace Prize laureate in the company of American writers; and Edith Wharton in the Women Writers Series (Macmillan and St. Martin’s, 1991; paperback 1994), a part of the resurgence in Wharton studies (Joslin is a founding member of the Edith Wharton Society). She co-edited Wretched Exotic: Essays on Wharton in Europe (Peter Lang 1993; paperback 1996), a selection of essays from a conference she directed in Paris; and American Feminism (Routledge, 2003), a four-volume collection of source documents from 1848 to 1920.