Category Archives: Announcements

New Publications on Wharton by CWEWh Volume Editors: The Bloomsbury Handbook to Edith Wharton, ed. Emily J. Orlando

The Bloomsbury Handbook to Edith Wharton, ed. Emily J. Orlando, includes essays by several CWEWh editors:

Picturing Edith Wharton’s Modern Woman: Gender and the Social
Construction of Age
Melanie V. Dawson

“Social Order and Individual Appetites”: Edith Wharton’s Short Stories, 1891-1904
Paul J. Ohler

Edith Wharton and Film
Donna M. Campbell

“The Chill Joy of Renunciation”: Feminine Sacrifice in Edith Wharton
and Christina Rossetti
Margaret Jay Jessee

Edith Wharton and Willa Cather: Beyond “Surface Differences”
Julie Olin-Ammentorp

Edith Wharton and the Narratives of Travel and Tourism
Gary Totten

Edith Wharton and Pleasure
Virginia Ricard

Reading the Reader: Edith Wharton’s Library, Digital Methods,
and the Uses of Data
Sheila Liming

The Complete Works of Edith Wharton: Preparing the First
Authoritative Edition
Carol J. Singley, Donna M. Campbell and Frederick Wegener

Nynke Dorhout Joins CWEWh Advisory Board

CWEWh is pleased to announce that Nynke Dorhout, Librarian at The Mount, has joined the CWEWh Advisory Board.

Nynke Dorhout holds a Master of Arts degree from Leiden University, the Netherlands. She is currently the Librarian at The Mount, Edith Wharton’s Home in Lenox, Massachusetts. After serving for ten years as Assistant Collections Manager at Harvard University’s Peabody Museum, she has been in charge of Edith Wharton’s 2,700 volume library, archives, and collections at The Mount since 2011. As librarian, she assists researchers from around the world. Her further responsibilities include inventory, documentation, storage, preservation, acquisitions and loans, as well as specialized library tours, programs, online content, and exhibits.

Advisory Board

  • Dame Janet Beer, Vice-Chancellor and Professor, Liverpool University
  • Nancy Bentley, Professor, Department of English, University of Pennsylvania 
  • Nynke Dorhout, Librarian, The Mount
  • Susan Goodman, Professor, Department of English, H. Fletcher Brown Chair of the Humanities, University of Delaware (emerita) 
  • Dame Hermione Lee, President, Wolfson College, University of Oxford 
  • Stephen Orgel, Professor, Department of English, The Jackson Eli Reynolds Professor of Humanities, Stanford University
  • Kenneth Price, Hillegass University Professor of American Literature, Department of English, University of Nebraska-Lincoln 
  • Wesley Raabe, Graduate Studies Coordinator and Associate Professor, Kent State University 
  • Elaine Showalter, Professor, Department of English, Princeton University (emerita), 
  • Susan Tomlinson, Associate Professor, Department of English, University of Massachusetts Boston 
  • Shafquat Towheed, Senior Lecturer in English Literature, Faculty of Arts and Social Sciences (FASS), The Open University
  • Linda Wagner-Martin, Frank Borden Hanes Professor Emerita of English and Comparative Literature, University of North Carolina at Chapel Hill (emerita) 

“She was bad . . . always.” Old New York (1924) now Public Domain

290px-FifthAvenueHotel1860_framecrop.jpg“She was bad . . . always. They used to meet at the Fifth Avenue Hotel.”

–Edith Wharton, New Year’s Day, 1924

As of today, January 1, 2020, Wharton’s quartet of novellas Old New York is in the public domain. To celebrate this, here’s New Year’s Day (the Seventies), courtesy of Project Gutenberg Australia.

Here are PG Australia’s texts of the novellas:

The Spark, False Dawn, New Year’s Day, The Old Maid

Links to the other novels and novellas available online are being updated today and are available here:

(The 'Seventies)


"She was BAD...always. They used to meet at the Fifth Avenue 
Hotel," said my mother, as if the scene of the offence added to the 
guilt of the couple whose past she was revealing. Her spectacles 
slanted on her knitting, she dropped the words in a hiss that might 
have singed the snowy baby-blanket which engaged her indefatigable 
fingers. (It was typical of my mother to be always employed in 
benevolent actions while she uttered uncharitable words.)

the phrase characterized my old New York! A generation later, people 
would have said, in reporting an affair such as Lizzie Hazeldean's 
with Henry Prest: "They met in hotels"--and today who but a few 
superannuated spinsters, still feeding on the venom secreted in their 
youth, would take any interest in the tracing of such topographies?

Life has become too telegraphic for curiosity to linger on any given 
point in a sentimental relation; as old Sillerton Jackson, in 
response to my mother, grumbled through his perfect "china set": 
"Fifth Avenue Hotel? They might meet in the middle of Fifth Avenue 
nowadays, for all that anybody cares."

But what a flood of light my mother's tart phrase had suddenly 
focussed on an unremarked incident of my boyhood!

The Fifth Avenue Hotel...Mrs. Hazeldean and Henry Prest...the 
conjunction of these names had arrested her darting talk on a single 
point of my memory, as a search-light, suddenly checked in its 
gyrations, is held motionless while one notes each of the unnaturally 
sharp and lustrous images it picks out.

At the time I was a boy of twelve, at home from school for the 
holidays. My mother's mother, Grandmamma Parrett, still lived in the 
house in West Twenty-third Street which Grandpapa had built in his 
pioneering youth, in days when people shuddered at the perils of 
living north of Union Square--days that Grandmamma and my parents 
looked back to with a joking incredulity as the years passed and the 
new houses advanced steadily Park-ward, outstripping the Thirtieth 
Streets, taking the Reservoir at a bound, and leaving us in what, in 
my school-days, was already a dullish back-water between Aristocracy 
to the south and Money to the north. (continued at the link above)

CWEWh welcomes Amy Blair, volume editor for The Gods Arrive

blairphotoCWEWh welcomes its new editor Amy Blair of Marquette University (, who will be editing The Gods Arrive for the edition. From the site:

Amy L. Blair is an associate professor of English at Marquette University and is co-editor, with James Machor, of the journal Reception: Texts, Readers, Audiences, History, the official journal of the Reception Study Society. Dr. Blair’s 2012 book Reading Up: Middle-Class Readers and the Culture of Success in the Early Twentieth-Century United States, was published by Temple University Press under the auspices of the Andrew Mellon Foundation-funded American Literatures Initiative. Reading Up investigates, through the lens of a reading advice column that ran for the decade between 1902 and 1912 in the Ladies’ Home Journal magazine, the way readerly desires for social, cultural, and financial capital affected readers’ reception of the canonical works of American literary realism and the less-celebrated, genteel literary bestselling fiction of the day. Dr. Blair’s current work in progress includes a study of Emily Newell Blair’s reading advice in Good Housekeeping magazine during the 1920s and 1930s; a cultural history of fan mail from the eighteenth century to 21st-century Twitterdom; and a nascent study of censorship as seen through a reception study lens.