Monthly Archives: September 2022

Nynke Dorhout Joins CWEWh Advisory Board

CWEWh is pleased to announce that Nynke Dorhout, Librarian at The Mount, has joined the CWEWh Advisory Board.

Nynke Dorhout holds a Master of Arts degree from Leiden University, the Netherlands. She is currently the Librarian at The Mount, Edith Wharton’s Home in Lenox, Massachusetts. After serving for ten years as Assistant Collections Manager at Harvard University’s Peabody Museum, she has been in charge of Edith Wharton’s 2,700 volume library, archives, and collections at The Mount since 2011. As librarian, she assists researchers from around the world. Her further responsibilities include inventory, documentation, storage, preservation, acquisitions and loans, as well as specialized library tours, programs, online content, and exhibits.

Advisory Board

  • Dame Janet Beer, Vice-Chancellor and Professor, Liverpool University
  • Nancy Bentley, Professor, Department of English, University of Pennsylvania 
  • Nynke Dorhout, Librarian, The Mount
  • Susan Goodman, Professor, Department of English, H. Fletcher Brown Chair of the Humanities, University of Delaware (emerita) 
  • Dame Hermione Lee, President, Wolfson College, University of Oxford 
  • Stephen Orgel, Professor, Department of English, The Jackson Eli Reynolds Professor of Humanities, Stanford University
  • Kenneth Price, Hillegass University Professor of American Literature, Department of English, University of Nebraska-Lincoln 
  • Wesley Raabe, Graduate Studies Coordinator and Associate Professor, Kent State University 
  • Elaine Showalter, Professor, Department of English, Princeton University (emerita), 
  • Susan Tomlinson, Associate Professor, Department of English, University of Massachusetts Boston 
  • Shafquat Towheed, Senior Lecturer in English Literature, Faculty of Arts and Social Sciences (FASS), The Open University
  • Linda Wagner-Martin, Frank Borden Hanes Professor Emerita of English and Comparative Literature, University of North Carolina at Chapel Hill (emerita) 

The Complete Works of Edith Wharton Welcomes Maureen Montgomery as Editor of Volume 28, The Buccaneers.

The Complete Works of Edith Wharton Welcomes Maureen Montgomery as Editor of Volume 28, The Buccaneers.

From https://www.canterbury.ac.nz/arts/contact-us/people/maureen-montgomery.html

My first book, ‘Gilded Prostitution: Money, Migration and Marriage, 1870-1914’ (Routledge, 1989) was a study of transatlantic relations and culture focusing on American women who married into the British peerage. I followed this up with a study of American women in the bourgeois elite, concentrating on New York City and drawing upon the fiction of Edith Wharton, entitled Displaying Women: Spectacles of Leisure in Edith Wharton’s New York (Routledge, 1998). My current book project, Whiteness and Politeness: The Racialization of Civilization, 1880-1930, is another venture into the cultural history of the period and examines travel literature, etiquette manuals, and novels of manners as a way of understanding how the American bourgeois elite conceptualized national identity at a time of fraught racial tensions.

New Books by CWEWh Volume Editors: Stephen Arch, Approaches to Teaching the Novels of James Fenimore Cooper

Stephen Carl Arch is the CWEWh Volume Editor for Volume III, Short Stories II.

Approaches to Teaching the Novels of James Fenimore Cooper

  • Editors: Stephen Carl Arch, Keat Murray

A cosmopolitan author who spent nearly a decade in Europe and was versed in the works of his British and French contemporaries, James Fenimore Cooper was also deeply concerned with the America of his day and its history. His works embrace themes that have dominated American literature since: the frontier; the oppression of Native Americans by Europeans; questions of race, gender, and class; and rugged individualism, as represented by figures like the pirate, the spy, the hunter, and the settler. His most memorable character, Natty Bumppo, has entered into American popular culture.

The essays in this volume offer students bridges to Cooper’s novels, which grapple with complex moral issues that are still crucial today. Engaging with film adaptations, cross-culturalism, animal studies, media history, environmentalism, and Indigenous American poetics, the essays offer new ways to bring these novels to life in the classroom.

The Complete Works of Edith Wharton Welcomes Shafquat Towheed as Editor of Volume 18, The Age of Innocence

The Complete Works of Edith Wharton Welcomes Shafquat Towheed as Editor of Volume 18, The Age of Innocence.

From https://www.open.ac.uk/people/sst46

The main thrust of my research is in nineteenth and twentieth century British and American literature, with a particular interest in the history of the book. Within this broad and inclusive subject, I have three specific areas of interest: (1) the history of reading; (2) the relationship between authors and publishers; and (3) the relationship between copyright law and literature. In addition, I also work on South Asian writing in English.

I have written, edited, and co-edited 8 books, and my articles have appeared in leading scholarly journals, such as Victorian StudiesBook HistoryPublishing HistoryNineteenth-Century Contexts, Nineteenth-Century Literature, Journal of Victorian CultureEnglish Literature in Transition, 1880-1920, Primerjalna Književnost (Comparative Literature) and The Yearbook of English Studies. I regularly review for a number of peer-reviewed journals.

The Complete Works of Edith Wharton Welcomes James Gifford as Editor of Volume 1, Poems

The Complete Works of Edith Wharton Welcomes James Gifford as Editor of Volume 1, Poems.

From the Fairleigh Dickinson University web site at https://www.fdu.edu/profiles/james_gifford/ :

I joined FDU’s Vancouver Campus in 2008 and also teach online courses for students on all FDU campuses. I’ve been a Visiting Professor of English in the graduate program at Simon Fraser University and was an Assistant Professor (LT) and a Social Sciences and Humanities Research Council of Canada Postdoctoral Fellow in the Department of English at the University of Victoria before joining FDU. In Fall 2017, I was Visiting Professor at Université de Toulouse Jean Jaurès. I also pursue significant studies in Music, opera performance, and Digital Humanities. My monographs include Personal Modernisms: Anarchist Networks and the Later Avant-Gardes (Alberta, 2014) and A Modernist Fantasy: Anarchism, Modernism, and the Radical Fantastic (ELS Editions, 2018). I have also edited several collections, scholarly editions, and open education resources. These include critical editions of Lawrence Durrell’s first two novels (praised in the Times Literary Supplement); a collection of Durrell’s prose, From the Elephant’s Back; an open edition of the 1923 and 1924 textual state of Ernest Hemingway’s In Our Time; and an open edition of Oscar Wilde’s The Picture of Dorian Gray. I am the primary or sole author of more than fifty articles and book chapters in publications ranging from Modernism/modernityEnglish Studies in CanadaTextual PracticeJournal of Modern LiteratureCanadian LiteratureMosaic, and The Canadian Review of Comparative Literature. I have regularly sat on prize committees, including the MLA Book Prize for Scholarly Editions, the Modernist Studies Association Book Prize, and the Robert K. Martin book prize of the Canadian Association of American Studies. I also publish poetry and creative non-fiction.

Sheila Liming on The Age of Innocence (September 14, 4 p.m. EST)

Sheila Liming, CWEWh volume editor for Volume 23, Twilight Sleep, has also edited The Age of Innocence for the Norton Library.
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Wednesday, September 14 at 4:00pm Eastern / 11:00am Pacific 
You and all interested students and colleagues can ​​​​​RSVP here to receive a Zoom link to attend. All are welcome.

In her talk, Liming will discuss  why the work has endured as an often read (and taught) work. The event will conclude with an audience Q&A and is part of our Norton Library and Norton Critical Editions Speakers Series. Curious about the differences between the two series? Learn more here.

If you’re interested but cannot attend live, I encourage you to register anyway since a recording of the event will be emailed to all registrants.